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Moving Image (Whitechapel: Documents of Contemporary Art) From The MIT Press
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Review
Omar Kholeif's brilliant book oscillates between theory and practice. Moving Image is a key text to comprehend the deep interconnection of moving image and the worlds of exhibition in the 21st century.
(Hans Ulrich Obrist, Co-director of Exhibitions and Programmes and Director of International Projects, Serpentine Gallery, London)This critical contribution to the analysis of moving image art encompasses a broad range of global artistic practices, bringing fully up to date diverse discourses around cinematic apparatus, contexts of distribution, exhibition and conservation, and our affective relationships to moving images.
(Henriette Huldisch, Curator, MIT List Visual Arts Center)Images have long been moving, but it's now more difficult than ever to keep up. The plethora and variety of moving images across culture in a digital age prompts us to ask fundamental questions about the nature and specificity of the medium -- past, present, and future. These are questions that have only recently come into view, and the timely writing collected by Omar Kholeif in this new anthology represents some of the boldest first responses.
(Heather Corcoran, Executive Director, Rhizome at the New Museum, New York)Neither the black box, the white cube nor the grey zone. Omar Kholeif's Moving Image is the most kaleidoscopic answer to the ongoing question about the place of moving images in art.
(Andrea Lissoni, Senior Curator, Film and International Art, Tate Modern, London) About the Author
Omar Kholeif is Curator at Whitechapel Gallery and Senior Editor of Ibraaz. Previously he was Curator at FACT, Foundation for Art & Creative Technology, a cocurator of the 7th Liverpool Biennial, and curator of the Cyprus Pavilion at the 56th Venice Biennale. His books include Vision, Memory and Media and You Are Here: Art After the Internet.
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